Celebrate Banned Books Week - Read One


This week (September 27 - Oct 4) is Banned Books Week. Various organizations have planned events highlighting our need to support both the freedom of the written word and the authors who create them. The American Library Association has materials and information available for anyone who wants to host an event. Amnesty International is encouraging people to support authors who have been persecuted for their work. Even Google is in, offering lists of banned books and links back to the ALA site for those who want to fight book challenges in their own communities.

Many times in the United States we take for granted the right to read or say whatever we wish, secure in our first amendment rights. Every day in every state, however, books are being challenged and/or removed from library shelves because some people believe they have the right to impose their moral codes on others through restricting their access to information. It's not all done through official channels either - I've personally known people who have gone into libraries and checked out books that offended them with the express purpose of not returning them, thereby "saving" someone from being exposed to the contents. It's a problem that needs to be addressed both with education and harsh penalties for people who take it upon themselves to decide what is appropriate for me to read.

Of course, those people are small potatoes compared to the threat from schools, libraries, and local governments removing or banning books. Sometimes it's a matter of public pressure or parent protest, and sometimes it's simply an elected official who decides to be the moral compass for the entire community. Whoever or whatever the reason, though, the simple fact is, it's wrong.

I'm not referring to pornography here. (Although I don't believe in censorship of any kind.) I'm talking about classics of literature. Mark Twain, for example, is consistently one of the most challenged authors. This issue is about much more than books - it's about the free flow of ideas, and it's about access to those ideas by everyone - the very definition of democracy.

So this week, celebrate. Celebrate your right to read whatever you want. Check out lists of banned and challenged books, and read something that someone, somewhere, thinks you shouldn't have access to. It's as much about freedom as the 4th of July. Even more so, I think.

30 September 2008

Autumn At Last


I can normally feel the first tiny breath of Fall. Even here, in hottest tropical Louisiana, sometimes at the height of hurricane season when the weather is hot, sticky, and miserable, a day usually comes when that smell starts, drifting down from northern parts unknown. It is subtle, only the smallest of hints, a breeze that brings with it memories of cool nights and dreams of crisp mornings. This year I smelled it in the middle of August, and I thought, that can't be right - Autumn is weeks away. The same week a swarm of love bugs, our twice-yearly scourge, dropped in. My ex-father-in-law used to tell us that when the love bugs come, a cold front is only two weeks away. It had always held true, but this year I was doubtful. A cold front, at the beginning of September? Unheard of here. Can't be.

My senses and his folk wisdom proved true, however, because during the week between Gustav and Ike when we were cleaning up, lo and behold in floated the cool air. It was a nice break, but unfortunately a short one, as Ike arrived a few days later with more flooding and another blast of hot, sticky Gulf moisture.

Since then, however, Fall is slowly but surely creeping back in. Last week a very weak cool front pushed through, not lowering temperatures but bringing in dryer air, a welcome relief here. Monday was the Autumnal Equinox, and, right on cue, yesterday the north wind picked up once again and brought cooler air this time - when I woke up this morning the temperature outside was 61F. (For Louisiana that is cool) As Fall is by far my favorite season, I am happy and my soul is at ease. Good weather for writing. Also for a big pot of gumbo.

1022 words on the novel yesterday, along with more research, thoughts about themes, and the beginnings of a new short story. I'm trying to work up to a daily average of 1500 - 2000 words, but all too often real life intrudes and I have other obligations. Still, progress is progress.

And Autumn has arrived, so it's all good.

25 September 2008

It's 'Cause of These Things...

Monday was productive with roughly 1000 more words on the novel, but Tuesday was a wash due to homestead obligations. Today looks more promising, as my schedule is cleared through the morning so I'll have several uninterrupted hours of writing time.

Another story sold! This one went to Niteblade, an online horror magazine based in Canada. That's two submissions accepted in a row, so I am overflowing with warm, fuzzy feelings and self-congratulations. The story was "Homecoming" which I'll post links to as soon as it is up.

Other news - I've finally launched my website, lynettemejia.com. It's still in preliminary stages, but at least it's there. Thanks to the LOML for hosting and general web-unbuggery. Wow. That sounded gross. At any rate, I'll be adding content and links as I ease out into the publishing world.

Spotty posting for the rest of the week as I plan to work, work, work. A first draft by Thanksgiving would be nice. By first of November, even nicer, as I want to participate in NaNoWriMo this year, but I don't want to use the current book.

Now, off to work.

24 September 2008

Review: Blue Genes, by Christopher Lukas


The story of Christopher Lukas and his brother, award-winning journalist J. Anthony Lukas, is a chronicle of mental health medicine’s evolution in the 20th century. Their family is struck again and again by bipolar disorder, a disease not yet understood or properly treated until late in the century. Unfortunately, the repercussions from misdiagnosis and lack of proper treatment echo through the lives of these brothers with shattering immediacy, starting with the suicide of their mother when the boys were only eight and six years old. Through the years one after another family member succumbs to the disease, ending finally with the suicide of Tony, the story that begins the memoir. The tragedy is in the sheer magnitude of the toll it takes on the family, but Mr. Lukas tells it not only as a memorial to what the he and his brother went through, but as a testament to the fact that, despite it all, he survived.

After relating the account of his family’s origins beginning with his great-grandparents, Lukas chronicles the heartbreaking story of his mother’s death, and how the boys were immediately shipped off to boarding school with no explanation for their mother’s disappearance or chance to say good-bye. This forced delay of grieving was to influence and haunt both men throughout their lives, an added burden to their already confusing personal battles with depression and bipolar disorder. Sadly, in the end it proved a burden too heavy for Tony.

While interesting and thoroughly well-written, this book is a difficult read, mainly due to the pervasive sadness that permeates this family’s history. Mr. Lukas does an excellent job of conveying the struggle the boys underwent throughout their lives, but he pays scant attention to the good moments he has enjoyed through the years, flying by his wife and daughter’s impact on his health and well-being. Ultimately, Lukas triumphs in the story, but his victory seems almost Pyrrhic - a survivor alone, among the ashes.

19 September 2008

Thought For the Day

If you don't feel that you are possibly on the edge of humiliating yourself, of losing control of the whole thing, then probably what you are doing isn't very vital. If you don't feel like you are writing somewhat over your head, why do it? If you don't have some doubt of your authority to tell this story, then you are not trying to tell enough.
-John Irving

By God, I'm writing a masterpiece.

Review: Fantasy & Science Fiction Magazine


A few weeks ago I received a copy of Fantasy & Science Fiction Magazine for review. To be honest it has taken me a while to get through it, simply because I have a huge backlog of other review projects sandwiched in between my own fiction work which is daily crying out for my attention. Over the weekend, however, I cloistered myself off in my bedroom and read the thing. The verdict? I'm glad I did.

The magazine itself reminds me of the kinds of magazines and comics I used to read as a kid - black and white pulp pages, no glossy illustrations, no shiny video game ads. This is a magazine that sticks to its business - and I really like and appreciate that about it. It's a fat little thing - 240 pages, but it's packed with really good stories from top-notch writers, along with a few review columns and non-fiction science articles.

My favorite story was probably Steven Utley's "Sleepless Years", a moving and unsettling take on immortality, but I also thoroughly enjoyed Albert E. Cowdrey's New Orleans-flavored "Inside Story" (the accents were spot-on). And, of course, there was Stephen King's "The New York Times at Special Bargain Rates." Personally I've always been of the opinion that the short story medium is where King shines, and this was no exception.

Talk lately in the sci-fi/fantasy world has circled round and round the issue of whether or not short fiction is dead as a medium. Detractors point to falling subscription rates, claiming that anthologies will be the only remaining market for stories. Maybe that will come to pass and maybe it won't, but I will say this - I enjoyed Fantasy & Science Fiction Magazine, for its format as well as its content. It's certainly worth reading, and, in my opinion, that's worth enough.

15 September 2008

Monday Morning and the Grind's Still Here

Thankfully, Ike passed us by with no more than (what I consider) an interesting and beautiful weather day. (Rain, windy) Sadly, though, some to our south and west did not have such good fortune. My heart reaches out to those in Southeast Texas and even in extreme Southwest Louisiana. To give you an idea, today's Picture of the Day from Nasa shows what the storm looked like as it came ashore. Imagine that knocking at your door. Here are some photos of the terrible damage.

Woke up yesterday to learn that David Foster Wallace had committed suicide. I haven't read a lot of his work, but he was a Gen X writer, and therefore we shared a generational culture. He was considered somewhat of a genius, and was by pretty much any measure very successful. Two thoughts come to mind - I wonder first why he was so sad, to the point that taking himself out of the picture seemed like the only worthwhile solution. Second, it makes me think about the nature of genius and the mental burden it sometimes carries. It's a dangerous coin to hold, and even more dangerous to flip.

Wow. Looking back, this post doesn't seem very cheerful, does it? Maybe it's the weather that's put me in this mood. (Heavy, low, grey clouds) Seems to help in the way of creativity though, so maybe I'll have a good writing day. We'll see.

More Cool Links For A Hot Night On Hurricane Watch

Well Ike has shifted northwest over the last twelve hours or so, so it looks as though my neck of the woods is going to get some weather after all. In the interim, while we watch the pressure dropping, check out the latest round of interesting bits from around the Internets:

Tor.com has posted a cool story by Elizabeth Bear titled "The Girl Who Sang Rose Madder".

Here's an interesting article posted by Shadowhelm, otherwise known as Margaret H. Bonham: 12-15 Step Program For Gaining Good Writing Habits.

Also, Giant Penis Man needs re-chalking. Any volunteers?

Yes, I think that's a good closer. See you on the other side.


11 September 2008

Progress And Other Tidbits

1,003 words yesterday on "Passing" a new science fiction short story I started right before Gustav came to town. Kind of stuck at this point - I know what I want to say, but I'm not sure how to say it. Call it a big, fat, steaming plot hole. Yes, that sounds about right. Also, I'm trying to add in some humor, but funnies are funny things - they are by nature sort of off-the-cuff, and it's hard to craft them - takes away some of the spontaneity. Also, after reading something four million times in the editing process you start to wonder if it was ever funny in the first place. Ah, well. We'll see.

On a happy note, the day after we got power again I received an email from Claire at Twisted Tongue Magazine saying she wants to publish both my poem "Wicked" and my short story "What Goes Around." My first acceptance! Needless to say, I am totally thrilled. Lends some satisfaction, not to mention validation, to my efforts. Hope that I am improving as a writer, enough so that one day I'll actually be able to make a living at this.

Weather is nice outside - cloudy and cool, which, if you know anything about Louisiana, means A LOT this time of year. I plan to enjoy it too, as today I am eschewing the mines for a bit in order to head over to my local Friends of the Library semi-annual book sale, something that has become, for me, a twice yearly orgy of bargains and book finds. Totally psyched. Will head back home afterwards to work on THE NOVEL.

A Few Cool Links

I've run across this morning. Who knows, I might make this a regular feature -

A short history of Eastern State Penitentiary in Philadelphia. A nineteenth century reform experiment with good intentions that went very, very wrong. I've always believed that the best way to reform convicts is to drive them mad!

The lost art of gentlemen's calling cards. Or maybe not so lost, as it turns out. I like this idea.

From the New York Review of Books, "A Summer of Madness" - Dr. Oliver Sacks (of Awakening fame) reviews an account of a man dealing with is daughter's mental illness.

09 September 2008

Review: The Grift, by Debra Ginsberg



The victim of childhood abuse and neglect, Marina Marks developed the skills that many children in such circumstances acquire – the ability to read people with a survivor’s instantaneous accuracy. Following a scheme set in motion by her drug addicted mother and an eerie encounter with an old woman who claims she truly has the second sight, the little girl becomes a psychic, a career she holds on to as an adult as the novel opens. After starting a new life in California, however, events unfold to completely change her idea of who and what she is.


As the cover art suggests, the word grift is only one letter away from gift, and this is the fine line Marina walks throughout the novel. From the beginning she doesn’t see herself as a con artist, merely a “counselor” of sorts who reads people instead of fortunes. She carries a sense of mild disdain for her clients, a feeling which makes it easier to relieve them of their money. Her self-definition fails, however, once she starts actually seeing ghosts and foretelling the future with frightening accuracy. In the end, Marina must redefine her notions of reality and of herself, a transformation that is not without consequences.


The Grift is a well-written story. The plot is original, the characters are engaging, and the author does an admirable job of handling a wide variety of viewpoints with accuracy and skill. The protagonist acts in ways we would expect of one who suddenly finds the world changed, seemingly overnight. It’s a touch that lends credibility to her character and interest for the reader. A good read for a rainy day.

08 September 2008

The Arrival of Gustav

Gustav is coming ashore and so far we are faring well. Wind gusts 20 - 25mph so far, and the first hard rain squall just arrived a few minutes ago. We have power for the moment, but I'm not sure how much longer that will last. I'll try to post again today with an update. Hope everyone is safe.

01 September 2008

A Publishing Glossary

If you're like me, and new to publishing, the terms that get thrown around when you are researching how to prepare various manuscripts for publishing might seem confusing. Via Bookends, here is a good basic list of what the hell everyone is talking about:

I’ve had a request from a client to put together a publishing dictionary of sorts, an explanation of publishing words and phrases that you hear or see all the time but aren’t always sure of the meaning. I’m not going to go into great details on the how and why of these words, simply a what. In addition to the words that were requested I’ve included a few of my own that I think sometimes cause confusion.

AAR: The Association of Authors’ Representatives is an organization of literary and dramatic agents that sets certain guidelines and standards that professional and reputable agents must abide by. It is really the only organization for literary agents of its kind.

Advance: The amount the publisher pays up front to an author before the book is published. The advance is an advance on all future earnings.

ARCS: Advance Review Copies. Not the final book, these are advance and unfinalized copies of the book that are sent to reviewers.

Auction: During the sale of a manuscript to publishers sometimes, oftentimes if you’re lucky, you’ll have an auction. Not unlike an Ebay auction, this is when multiple publishers bid on your book and ultimately, the last man standing wins (that’s the one who offers the most lucrative deal).

BEA: BookExpo America is the largest book rights fair in the United States. This is where publishers from all over the world gather to share rights information, sell book rights, and flaunt their new, upcoming titles.

Cover Letter: This is the letter that should accompany any material you send to an agent or an editor. A cover letter should remind the agent that the material has been requested, where you met if you’ve met, and of course the same information that is in your query letter—title, genre, a short yet enticing blurb of your book, and bio information if you have any.

Full: A full manuscript

Genre: The classification of books. Examples of genre in fiction include mystery, romance, science fiction, fantasy, nonfiction, and in nonfiction you might see business, health, parenting, pets, art, architecture.

Hardcover: A book printed with a hard cover.

Imprint: The name within the publishing house that the book is published under. Usually done as a way to market certain types of books. For example, Aphrodisia is an imprint of Kensington. It is still a Kensington book, but by publishing under Aphrodisia you are branding the book as erotic romance.

Literary Agent: A literary agent works on behalf of the author to sell her book and negotiate with publishers. A literary agent also helps with career planning and development and sometimes editing and marketing.

Marketing: Marketing is advertising that is paid for, including ads in magazines, display units in stores, and things like postcards or posters.

Mass Market: Also called “rack size,” these are paperback books originally designed to fit in rotating book racks in non-bookstore outlets (like grocery stores and drugstores). Mass market paperbacks are roughly 4” x 7” in size.

North American Rights: These are the type of rights licensed to the publisher, allowing the publisher only to handle and represent book rights in North America. This means that the author and the author’s agent are responsible for selling/licensing rights anywhere outside of North America (and usually a designated set of territories).

Preempt: When a publisher makes an advance and royalty offer high enough to take the book off the auction table. In other words, a publisher offers enough money that the author and agent agree that they will sell the book without asking for bids from other publishers.

Proofs/Page proofs: This is the last stage of editing that a book goes through. They are a copy of the designed pages, and the author is given one last chance to review the typesetter's “proofs” to check for typos or other small errors. Proofs are also what are used to make review copies for reviewers and sometimes rights sales.

Proposal/Partial: A proposal or a partial is frequently what an agent will ask for when taking a book under consideration. For fiction and narrative nonfiction a proposal usually includes a cover letter, a designated number of chapters from the book, and a synopsis. For non-narrative nonfiction a proposal usually contains an extended author bio, an overview of the book, an expanded table of contents, detailed marketing and competitive information, and of course sample writing material (usually a chapter or two).

Publicity: Advertising that is free. Publicity includes magazine and newspaper articles, radio and television interviews, and of course MySpace and other networking Web sites.

Query: A one-page letter sent to agents or editors in an attempt to attain representation. A query letter should include all of the author’s contact information—name, address, phone, email, and Web site—as well as the title of the book, genre, author bio if applicable, and a short, enticing blurb of the book.

Royalties: The percentage of the sales (monetary) an author receives for each copy of the book sold.

Sell-Through: This is the most important number in publishing. It’s the percentage of books shipped that have actually sold. For example, if your publisher shipped 100,000 books (great number!) but only sold 40,000, your sell-through is 40%. Not so great. However, if your publisher shipped 50,000 books, and sold 40,000, your sell-through would be 80%. A fantastic number.

Slush/Slush Pile: Any material sent to an agent or an editor that has not been requested.

Synopsis: A detailed, multipage description of the book that includes all major plot points as well as the conclusion.

Trade: To make it easy, trade is the shortened name for trade paperback books and is basically any size that is not mass market. Typically though they run larger than a mass market edition.

Vanity Press: A publisher that publishes the author’s work at the author’s expense (not a recommended way to seek publication by most agents or editors).

World Rights: When World Rights are sold/licensed to the publisher the publisher has the ability to represent the book on the author’s behalf and sell foreign translation rights anywhere in the world. Keep in mind that the author does get a piece of the pie no matter where the book is published.

I found it helpful even though I've been doing this at least long enough to know most of them. Good to avoid sounding like an idiot when approaching potential editors or agents.

22 August 2008

Review: When We Were Romans, by Matthew Kneale





For anyone who grew up in a home broken by divorce, Matthew Kneale’s WHEN WE WERE ROMANS will strike a cord. Narrated by nine-year-old Lawrence, the book captures perfectly the confusion, mixed loyalties, and anxieties felt by children whose world has been upended by divorce. Kneale has constructed a powerful story here, one that not only reminds us what it was like to be young, but also how the actions of adults can have life-long consequences for our children.

After a difficult break-up, Lawrence’s mother decides to leave their home in England and move to Rome, where she lived happily as a young woman. Along with his little sister Jemima and his beloved hamster Hermann, Lawrence reshapes his life, keeping himself entertained with stories of famous Popes and Emperors while trying to cope with the reality of a new people, a new country, and an unfamiliar language, only to find in the end that, once again, nothing in his life was what it seemed.

Kneale does an astounding job of capturing not only the speech, but the logic and thought processes of a child. Throughout the book Lawrence applies his limited little-boy experiences and knowledge of the world to each changing circumstance, sometimes with funny results, sometimes with tragic. In each case, however, we see behind the curtain of his thoughts and how they affect and inform his actions.

Matthew Kneale has written a book that makes you laugh and cry in equal measure, taking you into a world where the adults around you hold all the keys and have all the power. That Lawrence nevertheless survives his experiences is a testament to the resilience of all children. It’s a lesson we all should learn.

18 August 2008

The Daily Grind

1000 more words on the Poe story today. Draft two is finished, with what I hope is a more satisfying ending. Will have to pass it by the LOML tonight to see what he thinks, but I do feel much better about the piece. Barring any major problems, I plan to push it out of the next tomorrow along with a couple of other stories that have come back home without money. Get out there and earn your keep!

Moving on to chapter 3 of the novel. Everything is still very nebulous at this point, and that scares me. Also fending off the fears - what if I suck? What if I don't suck but no one cares anyway? What if I can't sell it? I just try to keep remembering what Gaiman said - write the next thing.

So, off I go.

14 August 2008

A Few Contests

For free books (who can resist?) that I've come across in my web-trolling. Check them out:

A signed copy of WHITE NIGHT by Jim Butcher from Blood of the Muse

A signed copy of NIGHTWALKER by Jocelynn Drake from Amberkatze's Book Blog

A signed copy of SCHOOLED by Anisha Lakhani from Planet Books

12 August 2008

Back to Work

Yesterday my children went back to school, which officially marked the beginning of back to work for me. I've gotten a couple of stories finished over the summer, but it's very hard to get much done with munchkins to take care of. In any case, I'll miss them, but I value the chance to get back to more significant daily word counts.

So, let's see, first day accomplishments: Sent off a poem of mine, "Wicked" to Twisted Tongue magazine; finished a first draft of my Poe story, "Nevermore", and got some work done editing and planning out THE NOVEL. Not bad. Planning more delicious writing time this weekend, as it is only the LOML and myself around.

Was also thinking yesterday about how happy I am to be able to do the thing I love most in the world - write. I've been in so many jobs that required a daily pep talk just to get out of bed this morning. I LOVE writing. Just for the sheer joy of it. Ideas swirl and dance in my head constantly, and I love having the opportunity to just sit down and let the characters tell me their tales. I am so happy to have finally figured out what I was put on this earth to do. I am unbelieveably lucky. And don't I know it.

Now, if I could only get paid for it.

Before I go - an interesting link. One of my favorite authors, in fact I would consider him the greatest author of the 20th century (argue with me if you will), Kurt Vonnegut with an article on writing style. He lays out a few rules. Good advice, though.

09 August 2008

"Do What You Like"

Words of Wisdom from Alan Moore, an icon in the comics world:


06 August 2008

How Cool Is This?

Starting on August 9th, the George Orwell Trust will post the author's diaries on the date each was written, 70 years ago, in a sequence starting in 1939 and ending in 1942. Given that he is one of my favorite English writers, I'm very excited about this news. Even though many entries are said to be of mundane, everyday topics, I'm very eager to get a glimpse into the mind of a man who had an uncanny ability to see and lay bare the human character.

From the Announcement:

From 9th August 2008, you will be able to gather your own impression of Orwell’s face from reading his most strongly individual piece of writing: his diaries. The Orwell Prize is delighted to announce that, to mark the 70th anniversary of the diaries, each diary entry will be published on this blog exactly seventy years after it was written, allowing you to follow Orwell’s recuperation in Morocco, his return to the UK, and his opinions on the descent of Europe into war in real time. The diaries end in 1942, three years into the conflict.

What impression of Orwell will emerge? From his domestic diaries (which start on 9th August), it may be a largely unknown Orwell, whose great curiosity is focused on plants, animals, woodwork, and – above all – how many eggs his chickens have laid. From his political diaries (from 7th September), it may be the Orwell whose political observations and critical thinking have enthralled and inspired generations since his death in 1950. Whether writing about the Spanish Civil War or sloe gin, geraniums or Germany, Orwell’s perceptive eye and rebellion against the ‘gramophone mind’ he so despised are obvious.

Looks to be very interesting.

30 July 2008

Sandman at 20


Via New York Magazine: the commemorative 20th anniversary Sandman poster, along with an excellent short interview with the Neil himself on how the hell he talked DC comics into ever letting him create the thing in the first place.

22 July 2008

 
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